Friday, June 10, 2022

Five Things I Learned Creating Characters: Breathing Life into the Cast of Asylum with Susy Smith #Dystopian #RomanticSuspense




If you remove characters from a story, any story, all you’re left with is a news report, right? So, characters, even though they’re metaphors, should feel, act, and speak like people. If you plucked your characters out of your book and Geppetto’d them into real, living beings, would they withstand the test? Or would they fall short as too perfect? Or too flat? No one is princess perfect just as no one, not even the most obtuse person you know, is two-dimensional.

1. First impressions. What is the first thing you notice when you meet someone? Unfortunately, for most of us, it’s their physical appearance. When readers meet characters in a story, they must be able to “see” what they look like. I read a novel recently, and the author never clued me in on what eye color the main character had. For me, that was super annoying. Seasoned authors will tell you to character sketch and that’s one of the first things I had to sit down and do. I mentioned eyes, and for me personally, that’s a big deal. I tend to focus on eye color (for better or worse). You have three basic colors to choose from: blue, green, brown, and their variants. It’s how you describe the color and what shines through them that will help bring your character off the page. My main character, Lacy, had green eyes, but what about them? In Jace’s point of view, he described the color changing with her mood from a thoughtful forest green to glittering diamond hard. Conversely, Jace had blue eyes, but not the light, ice blue of Zach, his brother. They were dark, sometimes with a humorous spark, and other times darkened with desire. In moments your characters can’t speak, their eyes can. Any character can have green, blue, or brown eyes. Breathe life into them. Otherwise, you’re left with a main character’s eyes the same boring brown as your supporting cast.

2. Give your characters flaws. This was hard for me to do. Even though I wanted Lacy, my main character, to react to diverse, difficult situations with unerring grace, I realized she couldn’t. I let her make mistakes: lose her temper with Jace, treat Hailey harshly, yell at Cat. I placed her in unthinkable circumstances. Of course, she was going to fail! Why? Because that’s what people do. How they handle and grow from their failures shows the reader of what mettle your character’s made. Crawl through their head for their reactions. At the beginning of Asylum, Lacy suffered a brutal attack. As her rapist was leaving, I felt I had to show how absolutely devastated and angry she was. I can’t tell you how many times I re-wrote the scene until she uttered two words to him that summed up everything she felt. As an author, I’m never happy using vulgar language, but at that point in Lacy’s life, those two words were exactly what she would’ve said. Even though I fought her (and myself), I eventually conceded they were the best two words to write. 

3. Character vernacular; keep it real! If it sounds stiff and too formal as you read it back to yourself, it probably is. I had to go back and edit in contractions, and even use words like, y’all. Two of my characters needed their speech to set them apart. Raul, born and raised in Mexico, needed to sound different. Think about how a foreigner doesn’t contract their words. They say things like, “I do not understand,” instead of, “I don’t get it.” Edwards, an older gentleman and from a different era, used words like fella instead of guy or man. Set your characters apart by what they say, how they sound. Otherwise, you’re back to a news report.

4. Oh, the feels... Showing my character’s emotion instead of telling about it was what I struggled with the most. Those dang adverbs ending in ‘ly’ tripped me up more times than I can count. Don’t underestimate the power of movement. Show your character’s frustration by pacing, running a hand through their hair, heat rising up their neck, etc. In Asylum, I wrote, “Her feet slammed against the wood floor. Her socks softened the impact, and much to her disappointment, muted the sound.” This showed Lacy’s frustration. It took a lot of work to edit in how Lacy felt by her actions. Your character’s differing personalities will show through their actions. In Hailey’s case, she showed how she felt by simply sniffing. I didn’t have to say she was too haughty to do menial household chores to convey her personality. I wrote, “She sniffed. ‘I don’t plunge toilets.’” Can you see it? I can.

5. Do you know someone who’s eccentric? We all do. Don’t be afraid to give your character a quirk or two. Cat entered Lacy’s life and quickly became her surrogate mother. Even though Cat wasn’t a main character, I wanted her to stand out as no-nonsense, and a bit audacious. She kept the farm running and everyone in line with nonsensical metaphors. One of my favorite examples is when she chastised Jace for picking a fight with Travis. She said, “Travis didn’t have anything to do with what happened to Lacy and you know it. I’ll admit, sometimes he has no more sense than a snake in a snowstorm ...” Memorable, right? I mean, who wants to be compared to a snake in a snowstorm?

Breathe life into your characters. You’re omniscient, the master of your own universe. Whether your story is plot driven, or character driven, you need strong characters that will live inside the readers mind long after they’ve finished the book. 


Asylum 
Asylum Series 
Book One
Susy Smith

Genre: Dystopian Romantic Suspense
Publisher: Balkan Press
Date of Publication: August 17, 2021
ISBN: 195487118X
ASIN: B09C4WRJQH
Number of pages: 330
Word Count: 87k

Tagline: A fight for freedom

Book Description: 

In the aftermath of the Big Crash, the President of the United States declares martial law. The National Guard rounds up citizens who are never heard from again. While fear and chaos reign, a small band of revolutionaries rise up to resist.

Lacy Monroe, barely out of high school, never saw herself as a leader. All that changed after the Big Crash. When the rest of her family fled, she remained on the farm, the last piece of land in the state holding out against the hostile government. Alone and vulnerable, she endures a horrific attack, yet survives and offers sanctuary to others like herself—until an old friend turns her world upside-down.

Jace Cooper has harbored a secret for years—he is completely in love with his best friend’s sister. The world is crumbling around them, no one knows how long they will survive, and all he wants is to protect Lacy and stay with her.

With the National Guard circling ever closer, hunger and sickness taking a toll, and betrayal and jealousy threatening to destroy the group from the inside, the struggle to hold onto the farm pushes them to the brink. And Lacy is keeping a secret so devastating it could drive Jace to unthinkable actions. Is the farm a safe asylum—or will the fight for freedom destroy them?

Book Trailer: https://youtu.be/T1kpaMsvkSw

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Excerpt

“Can I ask you something?” Lacy asked quietly.

Jace looked over his shoulder. “Anything.”

“This tattoo on your back.” She ran a finger down his spine. He shivered.

“Yeah?”

“Why do you have it? I mean, what made you get a wolf-dragon tattoo? It’s unique.”

“Do you want the short answer or the long one?” She trailed her finger back up his spine. “Just tell me what was on your mind. Did you design it?”

“Yeah, I did,” he said, his voice husky. Her fingers kept tracking his spine and he found concentration difficult. “I’ve always been fascinated with dragons. The symbolism behind the myth. I love everything about them. But the dragon needs temperance. With great power comes arrogance, conceit, and a thirst for even more power.” He chuckled and glanced at her.

“Just about everything you’ve accused me of.”

Her hand stilled. “Jace, I—”

“It’s okay,” he reassured her, giving her leg a squeeze. “Don’t feel bad.”

“Go on,” she urged.

He continued to tread water. “Well, the dragon holds immense possibility while the wolf relies on his instincts to guide him. Combined, the dragon sees all the possibilities before him, but the wolf chooses based on instinct. His heart guides him. It’s a balance. The dragon embodies primordial power. The wolf checks it with his ability to relate to others. The wolf takes on everything the dragon is—his protection, loyalty, fearlessness, and strength—and enhances it, makes it stronger. The two combined incorporate everything I want to be. The tattoo is a reminder. Especially when I’m having a bad day.”

She laughed. “Or when someone accuses you of being conceited?”

“Pretty much,” he admitted. “Do you like it?”

“I do. You said you designed it. Does that mean you drew this?”

“Yeah. I knew what I wanted.”

“Wow.” She sounded impressed. “I had no idea you could draw. You’re talented.”

He grinned. “Girl, you have no idea just how talented I am.”

“And the dragon rises.”

Laughter burst from his chest. “Touché.”

A red-eared slider swam their direction. “Look.” He pointed at the turtle’s nose jutting out of the water.

Her grip around his neck tightened. “Let’s go back.”

“He won’t hurt you,” he said, laughing, but swam back anyway. He helped her out then hoisted himself on the dock beside her. He retrieved his shirt and offered it to her. “Dry off with this.”

She took the shirt and mopped her face. “Pond water is so gross, but that was fun.” She gave him a demure smile. “Thanks. I needed that.”

He spent the rest of the day making her laugh. Being her distraction. But as the afternoon waned, so did her spirits. She shifted from cheerful to pensive. The temperature dropped as the western sun burned to the ground. “I guess we’d better get back.”

She sighed. “Yup. Duty calls.”

They untied their horses and started back. When Highway 11 stretched before them like a winding, black snake, he trotted up beside her and grinned. “I saw the girl I used to know today.”

They crossed the highway onto Monroe land then she turned and faced him, eyes full of pain and regret. “That girl is gone, Jace. She doesn’t exist anymore. If that’s who you’re looking for then give up because you’re wasting your time.” She gave Acer a nudge and galloped away. Frustrated, he urged his horse forward. She wasn’t going to run. Not this time. He raced beside her and grabbed her reins.

Eight hooves skidded on dirt and loose gravel and halted in a dusty cloud between the two farmhouses. His horse whinnied, tossing her head. She jerked her reins out of his hands. “That was a stupid thing to do,” she shouted. “I could’ve been thrown!” Chest heaving, he jumped off his horse. His boots thudded on the gravel. He stomped around Acer, trying to check his frustration. The girl was scared, and he didn’t want to demolish the progress he made today. He reached up and plucked her out of the saddle. “Stop running from me, girl.” He studied her and saw her demeanor shift from anger to fear. “I’m not going to hurt you. If you’d crawl out of your pain long enough, you’d see that.” She flung her hands up, eyes glistening.

“You don’t think I’m trying? I’m drowning trying to save everyone else, but
who’s gonna save me?” She bit her lower lip and looked away. He drew her into his arms and to his surprise, she didn’t fight him. He rested his chin on her head and whispered, “Hold on to me. I’ve got you.”



About the Author:

Susy Smith has a bachelor’s degree in English and is a language teacher for the Kanza Tribe. Her debut novel, Asylum, won the 2020 WriterCon contest in the novel category. She loves creating a home on paper for the characters in her head and dabbling in poetry. She lives in a small Oklahoma town with her husband, four grown children nearby, and two spoiled dog-children.







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Thursday, June 9, 2022

Release Day Blitz Boondocks: An Asian Evil Apocalyptic Thriller by Jaydeep Shah


Boondocks: An Asian Evil Apocalyptic Thriller
Survive the Doom
Book One  
Jaydeep Shah

Genre: Apocalyptic Thriller
Publisher: Rage Publishing
Date of Publication: June 9, 2022
ISBN:9781734982657 (eBook)
ISBN: 9781734982664 (Paperback) 
ISBN:9781734982619 (Hardback)
ASIN:B096WRWG1D
Number of pages:383 pages
Word Count: 74,668 words
Cover Artist: bookcoverzone.com

Book Description:

They believe it is only about defeat and escape.

Little do they know; it is something more than that. It is about the rise of the dead and the world’s destruction.

Lost in the desert of Rajasthan, India, Rahul and Elisa learn the truth about a wicked wizard named Dansh and some enchanters performing resurrection rituals.

Though they try to stop him, Dansh knows black magic and they find him a challenging adversary. Even worse than him, Rahul and Elisa soon discover that the churel named Dali has returned. Soon, the King of the Underworld, an immortal rakshasa named Sekiada, will make his way to the earth with the force of his thousands of fallen angels to conquer the world.

Rahul and Elisa must find a way to stop them and save humanity.

Terror inflames the nation. The country’s best commando, Aarav Singh, and the best local police officer, Arjun Rawat, reach the city’s border near the desert with the force of gifted soldiers to commence battle against evil. They turn the border into a battlefield to prevent the demons from entering the city.

The apocalypse is struggling to reach its highest peak as the Asian evils slowly spread across the nation: churels, rakshasas, pishachas, daayans, shaitans, and many more hair-raising bloodshed lovers.

Rahul must find a way to murder the immortals: the wicked wizard, the king of the Underworld, and the strongest churel of all time, and Elisa must gather her own courage to battle the demons, especially one of the immortals, to prove women are not weak.

Welcome to the world of horror, where the characters play games of deceit and betrayal to achieve their goals, and the demons enjoy slaughtering the humans.

The end is near. Or it’s just the beginning!? Dare to witness the apocalypse, but only if you are comfortable with bloodbath and barbarity.


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Excerpt: PROLOGUE

5000 years ago
Rajasthan, India

In the small, secluded village Kendraa somewhere in the middle of 500,000 km2of desert and home to only about three hundred or so people, residents halted their work of woodcutting, ceramics, and making dung cakes and rushed into their Wigwam huts. Five minutes passed, and then the village’s mukhiya, Ram, a fifty-five-year-old who looked like he was thirty, began to patrol, scrutinizing whether everyone had secured themselves in their huts. From the way the villagers had run and how Ram was inspecting the village, it was crystal clear that it was their routine; each of them was aware of the regular impending doom that escalated at or after dusk.

After everyone had locked themselves in, and when Ram found no one outside still working or wandering around, he locked himself in his own hut. Two other huts flanked it on each side, and they stood only a few inches away from the dirt road.

In one of the huts near to Ram’s, a child sat with his father.

“I’m scared, papa,” said a boy after a brief look at his father,who was sitting on the ground against the wall.The man securedhis child in a hug with an expression of dread, startled at his son’s rush of feelings. Then he forced a fake smile, patted his son’s back, and kissed his forehead, assuring him that he was safe with his dad.The boy’s fear vanished, and he smiled back. All the while, the child’s mother sat against the wall opposite, hugging her knees and crying silently, keeping her face hidden in the hollow between her legs and breast to prevent scaring her son.

In one of the other huts, another wife cried, this one hugging her husband.

“She ate my brother last month, my sister last week, and your brother yesterday. I don’t want to lose you.”

She was talking about an evil lady who visited the village after dusk and enjoyed massacring humans and eating their flesh.

A sense of apprehension dangled over every hut.

* * *

At the end of the desert, in a cave a few miles away from the village’s border, a churel (witch) named Dali glowed in the moonless night.She began to consume negative powers from the environment, levitating herself with her eyes closed and hands wide open. Dali, whom no one could kill with any weapon known to man, appeared out of nowhere about a year ago and had resided in the cave near Kendraa Village ever since. She did this not only because she had found humans to hunt but also for her own security.

Though it was true no one could kill her with any type of known weapon, the villagers didn’t know that she had a fatal flaw: she could be captured in any object and killed by fire. She knew if she began hunting humans in a bigger kingdom, a king might find a tantrik, the one who has thorough knowledge about mysticism and magic rituals, rishi (a sage), or someone else with this knowledge. They might capture with the help of a devotional hymn, black magic, tantra, or curse, or even execute her. But Kendraa Village was secluded; very few people knew about it, and it was rare that a traveler or a rishi passed by.

The villagers believed in God. They worshipped God, day and night, and they knew devotional hymns well. Yet, there was no one strong enough to use one against Dali—not enough to weaken her and capture her, and certainly not to terminate her. That was the reason Dali was completely safe here.

* * *

“I have heard that churels become strong on the moonless night,” said a teenage girl to her sister in the hut that stood in the center of the village. “Is it true? And if it is, how?”

“Everyone believes it,” said the sister. “So it must be. I don’t know exactly how.

But people say the negative vibes we spread every day through our anger, jealousy, and other bad feelings become the churel’s fuel. She sucks this energy on the moonless night, and she becomes much more powerful.”

* * *

The wind whooshed as Dali exited her cave. Ten feet tall and two hundred years old, she was an ugly churel with a wrinkly dark face. She walked toward the village on her abnormal feet, which pointed backwards, looking around with her pure-white eyes and smiling broadly, showing her uneven, rotten teeth. When she was halfway to the village, she began to levitate, gliding the rest of the way with lightning bolt speed.

When she reached Kendraa, Dali halted in the air over the huts in the center. She looked around with a grin on her face, happy to find everyone had locked themselves in their huts due to the terror she wrought.

She let out a booming laugh in her croaky voice.

“She’s here,” screamed a girl, hiding under a blanket in horror.

“Everything will be alright, sweetie,” whispered the girl’s mom, stroking her back.

The girl stayed quiet, not reacting to her mother’s warmth.

“On this moonless night, I will gain more powers. I will become immortal,” Dali’s voice rang out, loud enough to enter every ear inside the huts.“After having the flesh and blood of more than two hundred.”

Camels grunted from where they weretied to skinny wooden posts, yearning to run away to protect themselves.

Everyone stayed absolutely quiet, trying not to breathe to avoid producing even the slightest sound, sweating profusely in trepidation of their death. Dali’s cackle wafted through the air, scaring the hell out of the villagers who were praying to God for help.

Suddenly, the camels rose into the air. Dali then began to squeeze their bodies by only staring at them and clenching her right fist. She sucked out their blood,which floated out of the animals’ crushed bodies and into her mouth.

The night grew darker, and the wind whooshed faster and faster, rapidly swirling the sand in the air, as if Mother Nature herself was upset for the innocents.

The empty bodies of the camels fell to the ground; it seemed as if they were not corpses but bags full of shattered skeletons. No trace of blood or flesh remained.
Dali licked the blood from her lips.

Her eyes rolled over the huts as another grin came over her face.

The villagers’ hearts beat even faster; they knew their death was nearing. All of them wished for a miracle that could save them from Dali. They continued praying; many of them asked for God himself to come to earth and end Dali’s after-life.

Each day before now, Dali had come to Kendraa to kill only one of them, but tonight seemed special for her. She seemed to want to have a party. She wanted to kill almost the entire village in a bid to become immortal, and now only God could save them. Or, more precisely, their courage and hidden skill to fight the churel. Their ability to sing a devotional hymn, find the courage to face the churel and the courage to fight her. That could save them.

Dali soared in the air, glaring at the huts and generating a violent fire bolt. The huts suddenly ignited in fire and everyone rushed out. Seeing the villagers trying to run away from her, screaming in angst, Dali laughed aloud.She was enjoying this more than she had on any other night.

She began capturing people—children, youngsters, women, even those who were pregnant, elders—stopping them from escaping one after the other and consuming them. The desert reverberated with the villagers’ gut-wrenching screams.
Ram and some other villagers had managed to escape her grasp, and they now stood on the dirt road, watching as she killed their friends and neighbors. They felt miserable watching their beloved ones die, but they were also afraid and helpless.

As mukhiya of this village, it was Ram’s duty to keep everyone safe from the outsiders, solve the issues between the villagers, and make sure there was no crime. He was the decision-maker for the inhabitants and caretaker of the village.

He had to come up with something to save them all from this bloodthirsty churel.

He looked around with wet eyes, hoping to find something that could help him kill Dali. However, before he could find something, in the distance to his right, his blurred vision glimpsed a man-like image coming toward him. He rubbed his eyes and squinted to get a better look.

Ram saw a rishi, about seventy years old, coming out of the darkness. He had a divine muscular physique and was walking toward him, holding a kamandal (container for holy water) in his hand.

Hearing the churel’s laugh and the villagers’ painful screaming, the rishi paused, fixing his glower on Dali. Then he paced to the village and stopped beside Ram. He looked into Ram’s wet eyes, down to his folded hands and then back to his face. He understood that Ram was requesting he saves his village and the villagers, as many had done so before in other towns and villages plagued by cruel kings, asuras, or churels.

The rishi marched toward Dali in rage.

Dali stopped her killing and locked her fury-filled eyes onthe rishi, who stood right before her.

“Stop killing these innocents,” he said in a voice full of strict, threatening order.

“Or, I’ll have to kill you.”

“I’m powerful,” said Dali, laughing at him. “You can’t kill me; you’re just a human.”

Dali’s mind was full of her own ego; she had beeneasily killing the villagers for a year. In her arrogance, she had forgotten that this rishi could set her on fire and end her terror forever.  In this moment, she believed she was the most powerful being on the earth.

“How dare you call me an ordinary human,” he raged. “You have made a life-threatening error. I’m a divine rishi. I warn you one last time to leave this place.”

“I’m not afraid of you, ordinary human,” sneered Dali.

The rishi shifted the kamandal to his other hand and took some holy water from it.

Dali kept grinning at him. “You can do nothing.”

Enraged at the insult, the rishi replied, “I curse you—if you kill one more human, his blood will turn into poison for you, and you will burn in an intense fire.”

With that, he threw the water onto her body.

“Let’s see who wins!” said Dali, staring at him, her voice showing her importance.

She extended her arm and grabbed a young pregnant woman nearby by the neck. Her husband screamed and ran after his wife. When Dali brought the woman near her face, she glanced at the rishi, before locking her gaze onthe woman’s scared eyes, and without pause, she thrust her sharp nail into the woman’s stomach. She pulled it back out, and she showed the nail, dripping with the woman’s blood, to the rishi. She was mocking him—his curse would fail.

The rishi stared at her with his intense look of anger, and when Dali brought the nail to her mouth to suck the blood, a lightning bolt struck her.It was as if her negativity—which she had spread throughout the galaxy—was coming back for her. She roared in pain.

The rishi smiled, seeing his curse had worked, and he happily murmured, “Har Har Mahadev!”

Dali began to cough and choke, and the pregnant woman slipped from her hand.

Dali tried to attack the rishi, but the poison spread through her body swiftly, stopping her powers and weakening her.

The villagers watched in awe as her body began to steadily turn green. Before she died, she said, “I’ll return. I’ll return, immortal.”

The poison spread through her nerves from top to bottom and choked her completely. Her paralyzed body, now completely green, fell to the ground and ignited in fire.

The villagers stared at her burning body, blank expressions on their faces.

Meanwhile, Ram quickly ran to the rishi and touched his feet to have his blessings.

The rishi gave a quick touch to his head. “Long live,” he blessed.

After Dali’s dead body had turned to ash, the rishi sprinkled some holy water on it, and it disappeared. The villagers bowed to him, an act of thanks for protecting them from the wicked churel, and after showering his blessings on them, he left the village.



About the Author:

Jaydeep Shah is an avid traveler and a multi-genre author. As a bachelor’s degree holder in Creative Writing, he aims to entertain as many as people he can with his stories. He is best known for Tribulation, the first book in the “Cops Planet” series.

In addition to those books, The Shape-Shifting Serpents’ Choice, Jaydeep’s first young adult flash fiction written under his pen name, JD Shah, is published online by Scarlet Leaf Review in the July 2019 issue. Currently, he’s endeavoring to write a debut young adult fantasy novel while working on a sequel to his first apocalyptic thriller, Havoc.

When Shah is not writing, he reads books, tries new restaurants, and goes on adventures.








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Tuesday, June 7, 2022

Interview- THE INDIGO by Heather Siegel #YAFantasy #MagicalRealism #AuthorInterview


- What is your “day” job if you are not a full-time author?

I mentor fiction and nonfiction writers privately and for continuing education departments. I also work as a college admissions essay coach.

- If you wrote a book about your life what would the title be?

I actually wrote two memoirs. Out from the Underworld is a coming-of-age tale about my absurdly dysfunctional childhood, and King and The Quirky is a marriage memoir about love and feminism.

- What is the hardest thing about being an author?

Hands down, writing the first draft.

- What is the best thing about being an author?

Touching a reader in some way. Having someone reach out and say, this passage moved me, or I could relate. I especially like when someone tells me I made them laugh.

- Have you ever been star-struck by meeting one of your favorite authors? If so who was it? 

When I was going for my MFA, many of the writing professors were famous. I remember sitting in class, after having read their work, and being blown away, thinking is this real? Am I getting to learn from this person? Halfway through the semester, the spell invariably wore off and I got to see the human behind the title. Some were flawed; some were even more spectacular, funny, and generous in person.

- What book changed your life?

I don’t think there is one defining book, as every book has changed my life in a different way. I can say that a number of memoirs and nonfiction tales made me feel that my own stories were worthy of telling: This Boy’s Life, Half a Life, and Such Such Were The Joysare but a few.

- What were some of your favorite books growing up?

I used to obsess over mystery detective fiction by Robert Goldsborough and Agatha Christie. But I also loved romance, adventure tales, and ghost stories.

- What books are currently in your to-be-read pile?

I still like all genres. On deck is How To Tell A Story by The Moth storytelling organization, and Oh William by Elizabeth Strout

- Which do you prefer ebooks, print, or audiobooks?

Print for sure. I love turning the actual pages and holding the book in hand.

- If you could live inside the world of a book or series which world would it be and why?

In current times? I’ll go with The Martian. Besides that it’s an incredible story, the news headlines of this planet are becoming beyond tragic. 


THE INDIGO
Heather Siegel 

Genre: YA magical realism, fantasy, paranormal mystery
Publisher: Stone Tiger Press 
Date of publication: 6-1-2022
ISBN: 979-8-9858240-2-5
ASIN: 979-8-9858240
Pages: 250
Word count: 68,000
Cover Artist: Rob Carter

Tagline: Stay connected

Book Description: 

Jett, a 16-year-old girl librarian from New Jersey, does not believe the neurosurgeons that her mother is brain dead. For one, her mother’s comatose body seems like an empty shell, as though she has left the premises of the hospital room. For another, there was that split-second weird time Jett swore she lifted out from her own body and travelled to an indigo-colored, starry space, where she felt the presence of her mother.  

The bad news is that only her friend Farold believes her. The good news is that he is a quantum physicist in training and has some ideas about how to help Jett get back “up there.” Also, did someone say handsome quantum physicist who may or may not give off a more-than-friends vibe?

As Jett's caretaking Aunt threatens to pull the life support plug on her mother, Jett must find this mysterious indigo place again and return her mother to her body before it’s too late, while staying connected to her own “empty shell” below-- a feat made more difficult when antagonistic otherworldly forces intervene. 

Offering astral projection cosmology with lifecords, parallel universes, and wormholes, THE INDIGO is a wild trip through one person's consciousness "above," their interconnected reality "below," and the psychological and fatal dangers of being disconnected from both.

The book is a clean read with light romance recommended for ages 13-16, and for anyone who enjoys magical realism and paranormal mystery. 


Excerpt Quantum Meeting:

Day 787. I sponge Mom’s stringy arms and pronate her elbows. Suction saliva from her white gums, careful not to disturb the psst-psst of the breathing tube. I attach cotton-ball-size muscle-stimulation pads, all forty of them, to her biceps and triceps, her deltoids and extensors, her flexors and hamstrings. As the pads pulse against muscle atrophy, I crayon Chapstick on her lips, rub cream down her pointed nose and waxen cheek skin, brush her dark hair splayed over the starched pillow. I leave the waste bags for the nurses but check the connections out of habit — the tubes to the catheter and colostomy bag, the one to her nutrients. Then I sit, holding her hand, pretending to talk to her for the sake of passersby, even though I know she’s not listening.

Not even in the room.

Her body is an empty vessel. A coat on a hanger waiting for her arms to slip in. A mollusk on the beach, abandoned by its host. An empty carton of milk I’m here to make sure they don’t throw out.  

Because when I find her — and bring her back — she will need her container.

They’ve told me it’s dangerous to think this way. Psychologically damaging, Aunt Margaret has claimed. A byproduct of grief, the therapists have said. Denial is a natural defense mechanism, Dr. Horn has counseled. “But we can’t ignore the reality of what the scans tell us.”

He means the X-rays of Mom’s gray folded matter. The regions of her brain that still incite spontaneous reflexes — causing her arm to jerk here, her leg to twitch there. “All seemingly normal manifestations of brainstem function,” he’s told me repeatedly. “But should not be confused with actual brainstem function. Without which she has little chance of waking up.”

I can’t fault him for thinking this way. The guy’s a neurologist — his business is brains.
But I know there has to be more to us than our bodies and brains.
Call it what you want — a consciousness, a soul, a spirit, a light being. It’s the thing countless comatose patients swear gave them the ability to live whole other lives while on respirators. The thing that philosophers and spiritualists spent their lives writing about. The thing that makes us who we are. And maybe even fuels the brainstem.

And Mom’s brainstem went missing two years ago the moment she crashed her car.

An accident, Aunt Margaret had said on the phone. Black ice. A telephone pole. Coming to pick up you up in five. . . .

I flew down the stairs of our apartment and rushed into intensive care, still in my red plaid pajama bottoms, dried toothpaste stuck to my cheek. Mom lay behind a wall of glass, and I heard fragments: Her chest had banged into the steering wheel. Glass shards had lodged in her cheeks. She’s lucky to have made it out alive.

But define “alive.”

For a week, I watched machines automate her breathing, feed her, monitor her. I felt numbed, stunned, dazed. Most of all, empty. Like something in my chest cavity had gone missing, its hollowness threatening to suck my heart and lungs deeper inward.

I thought it was coming from me.

Then one night, following Dr. Horn’s delivery of yet another brain spiel — this one replete with pictures of axon and dendrites that looked like tree branches — they let us through the glass wall.

I plunked into the pink pleather chair and held Mom’s limp hand in mine; ran my thumb over her beige polish, chipped from washing beer glasses at Sharkie’s Bar and Grill. The emptiness opened like a black hole, and I yearned for my best-friend sister-like Mom, just 17 years older than me. The woman who wore my jeans and tried on my life, from basketball tryouts to friendship blips. The woman who let me inhabit her dreams of traveling the world.

“How much tragedy can one family take?” Grandma Eloise was saying. “First, I lose one daughter, and now another?”

“I know, Mom, I know.” Aunt Margaret sniffled.

They were speaking of Grandma Eloise’s oldest daughter, who had died as a teenager — Mom’s oldest sister. And I had sat there, unsure of what to say. Not only because there seemed to be some kind of dark cloud hanging over us, but because they barely noticed I was in the room.

So, when they decided to go to the cafeteria, I said, “I’ll stay here, then.”  

Aunt Margaret turned, her yellow, roller-set waves bouncing like in a retro TV commercial. “Jett, I’m sorry. Did you want to come with us?”

“It’s OK. I’m good,” I said, because I knew they were just trying to salve their own pain, even though you couldn’t have paid me a million dollars to eat a bite of food in that moment.

So off they went, leaving me and Mom and my emptiness, and because everything felt so empty, I climbed into bed with Mom, spooned to her side — admittedly feeling sorry for myself in this new orphaned state — and blubbered away into her bony shoulder.

Her respirator lulled me into a sleepy state, and my mind drifted, thinking about her running off as a teenager at 17 — just a year older than me now — to marry a guy outside the enclave of this small town. Then that got me thinking about my dad, the man I barely got to know, but whose hands for some reason I could see peeking out from his electrician’s coveralls: coppery skin freckled like mine with wispy red hair, as he meticulously spliced the wire of a lamp cord. Cut before the damage. Splice by twisting. See his hand twisting a lightbulb in, electricity zipping through its filament. We can travel as fast as this . . . in our sleep. . . . We can meet in Hawaii, where the sand is black, and the rocks are as large as grapefruits.

 I must have drifted off then, Mom’s empty container against mine, the respirator wheezing rhythmically, everything hazy and meshing and sucking me under.

Just think of where you want to go, my dad said, still coming to me in snapshots. His freckled hands on a tabletop. Suntanned face. Fiery hair. A woman beside him laid down cards splattered with ink. Palm trees swayed outside, and contentment purred in my chest like a vibration.

Deeper and deeper I drifted under, as darkness surrounded my eyelids and tunneled around me, churning into a black liquid — the way dreams work — until it ended in a circle of purple-blue light large enough to fit through.

I poked my head through and found the air was watery, indigo-colored, and pocked with millions of crystalline white stars. I wanted to climb through the hole and swim out into the starry space. But when I looked up, I saw rectangles hanging in the sky.

They were outlined in what looked like glitter — the kind I recognized from my childhood drawings, when I’d outlined geometric shapes with glue and glitter and blown the excess off. And inside were movielike images:

Palm trees in one.

The stairwell to Mom’s and my old apartment in the other.

Where do you want to go? My father’s voice sounded again, only this time my chest tightened and pulled, as though there was a rope attached to the center, and I suddenly got scared feeling . . . wondering . . . knowing. . . .

This wasn’t a dream.

I was somewhere outside of myself.

Definitely not in my body.

And Mom . . . she wasn’t in bed at the hospital. She was behind that rectangle . . . that door.

I could sense her, alert and awake, black hair not splayed on a pillow, but tucked behind her ears and parted down the middle, revealing a white line of scalp; cheeks not waxen and pale, but flushed from moving around the kitchen . . . pulling me to her.

But because it all felt so real, and because I didn’t know what would happen if I did dive through that hole, I jerked my head back. And the next thing I knew, I was yanked backwards and my whole body stung as though I were a human rubber band snapping back.

Just in time to find Aunt Margaret back from the cafeteria, shaking my shoulders.

“Jett, Jett, wake up,” she called.

“Should I call someone?” Grandma Eloise asked.  

My eyes popped open, and they gasped.

“You scared us, you were in such a deep sleep,” Aunt Margaret scolded. “You’re not supposed to be in bed with her.”

“I went to find her,” I tried to explain. “Mom isn’t here. . . .”

“What? Nonsense.” Aunt Margaret said. “You were having a bad dream.”

“Honey, we are all under tremendous stress,” Grandma Eloise said.

“But there are doorways up there,” I insisted. “We have to find her and bring her back. . . Look, there’s no one inside.”

“Honey, we don’t know what you are saying,” Grandma Eloise said.

“Jett, this is hard enough on all of us.” Aunt Margaret’s tone steeled.

My mistake, I’ve come to realize, was continuing to insist, back at Aunt Margaret’s, and for months afterward, describing all I could remember, and lugging home research and stories from the library about people leaving their bodies: about the idea that a person could ostensibly be in two separate places at once.

“That is absolutely enough. I will not have that kind of nonsense talk in my house,” Aunt Margaret snapped finally, and the next thing I knew I was seeing Dr. Karr, a grief counselor, and being asked to review more charts from Dr. Horn. And when a year later, I still wouldn’t relent about the purple hole and the doorway to Mom, and the fact that anyone can tell she is simply not in this room, the grief counselor suggested medications, and eventually whispered to Aunt Margaret terms like “grief delusions” and “detached from reality.” This led me to understand two things:  

Not only can I not convince people to open their minds, as a minor in the State of New Jersey, 10 minutes from the state’s largest psych ward, I need to watch it, or I might never find Mom.


About the Author: 

Heather Siegel is an award-winning writer and creative with interests in the arts and animal welfare. She teaches academic and creative writing, holds an MFA from The New School University, and lives with her family in Southern Florida.








Monday, June 6, 2022

Birth of the Storm by Valerie Storm - Enter to Win Amazon Gift Cards & Books #Giveaway #YAFantasy


Character Confession:

Kari plopped down, arms folded over her chest. After a few tense taps of her foot, she unraveled and splayed her hands. “I hate her. Or…I don’t hate her, but. Can you even imagine? To…to play some higher being with people’s lives?”

She shot up from the ground and began to pace. “I mean, okay. Without this writer I wouldn’t have met all the people I love. But I ALSO wouldn’t have lost anyone! 

I’d…I’d be…” She trailed off, running her hands over her face before throwing them in the air. “I wouldn’t exist without her.” That realization deflated all the pent-up rage. 

Kari wilted. “This is why I hate gods.”


Birth of the Storm
Demon Storm
Book One
Valerie Storm
 
Genre: YA Fantasy
Publisher: Shadow Spark Publishing
Date of Publication: 6/13/2022
ASIN: B09ZZ9HJPZ
Number of pages: 355
Word Count: 89,417
Cover Artist: @Ginkahederling 

Tagline: Do you want vengeance or peace?
                Can’t I have both?

Book Description: 

A bolt of lightning. And a dream of vengeance.

For wolf-demon Kari, these define her every waking moment. Her parents are dead, slaughtered by human hands, forcing their only daughter to masquerade among their killers to save her own skin. 

Now she dwells among them, hiding her lightning-based abilities and plotting a terrible revenge, believing her schemes are all she's good for now. But when she discovers unexpected solace among a group of humans who look past her monstrous nature, Kari finds herself questioning everything. Her mission. Her dreams. Even the hatred festering in her heart.

Is it possible for a creature like Kari to find happiness in a world that despises her?

Or will the specters of her past force her down the path of vengeance in the end?



Excerpt

She could feel her mother’s mind-presence throbbing quietly, brushing the edges of Kari’s consciousness, yet she did not respond. On the other side of the bodies, the man helped the woman to her feet. She smiled at him and brushed herself off. The other two humans who were not yet dead were offering weak cheers at their success. The one with the wounded leg had fallen to the ground, and his weaponless companion was tying white wads of something around the bleeding wound.

Shift, Kari.

Kari’s attention snapped back to her mother. Her breathing was shallow, evidenced by the very weak rise and fall of her chest, as she commanded again: Shift. Now.

Kari didn’t understand. She turned back to her father, forcing herself to look beyond the reddened snow surrounding him. He would get up soon. It was one hit. He’d taken worse swipes from a bear.
KARI.

Her mother’s voice screamed in her mind, before it cut off suddenly, a syllable half-formed. Kari let out a whimpering sob and retreated into the shadows of the cave. She shifted into her humanoid form and came out on all fours as a tiny, cowering, and very naked girl. The cold air chilled her skin, but her demon blood kept her comfortable. Her wolfish tail was small, barely more than a stub that flicked uneasily; her miniscule ears, too tiny still to see and only a couple of shades darker than her blonde hair, bent backward.

I did it, Mother! Mother?

Kari’s mind was full of buzzing silence, devoid of any thoughts except her own.

From the ground, she lifted her head. Her mother’s eyes remained yellow in death, though blank and lifeless. Kari’s hands shook and her throat burned as something wet invaded her eyes. Tears.

“Dear, are you okay?”

The woman was at Kari’s side, her voice soft. Flinching, Kari pulled away and glared, baring her teeth. The woman looked taken aback, but kept her voice soft.

“Poor thing,” she continued to speak. Her eyes trailed down Kari from head to toe, eyes widening at the sight of her bare body. “You must be freezing! What are you doing out here all alone? What’s your name?”

As she pulled off her overcoat, the men approached. The one with the bitten arm supported the limping one.

 “What is it, Anne?” the man with the hammer spoke, stopping beside the woman. He froze when he saw Kari, who was flinching away from the woman’s coat. She raised her gaze to his face.

He was an older man, his face lined with wrinkles, and his short, russet hair laced with gray. He looked weak, Kari thought blankly. How could he have beaten her father? She glared at the hammer in his hand.

It is because of their cowardly use of weapons, either to outrange or out-brute demons. They have no real strength of their own.

Distracted, she allowed the woman—Anne—to place her coat over her thin shoulders. Warmth enveloped her, and so did a repulsive human smell.

“It’s true, there really was a girl out here?” the man with the hammer muttered to himself. To the woman, he said, “She’s in shock. Come on. We can take her home and see if she recovers from whatever’s happened to her out here.”

“We’d best hurry. We have to drag Billy’s body down with us, too,” the limping man said.

“Yar, I’d hate to leave him up here,” the one supporting him muttered.

You killed them. You killed them. YOU KILLED THEM.

Kari’s angry thoughts were tangible, choking her, but she swallowed them back. She wouldn’t have a chance of surviving a fight with all of them. Her mother had wanted her to change forms—why? Her fingers twitched and she tried to keep her eyes and thoughts away from her parents. Their blood would paint the snow. Kari clenched her trembling fingers into fists.

“Will you come with us?” the woman asked, reaching out for Kari’s hand. Her eyes were soft bark, her face framed by waves of similar colored hair.

How could you do this? Kari wanted to scream. How could you kill my mother?

They thought she was human, one of them—that was the only reason Kari was still alive. Her wolfish ears were so tiny, hidden away in her locks of golden hair, so these idiotic humans did not yet suspect that she was anything other than one of them. Even her tail was too small yet to draw attention.

That was why; her mother had wanted Kari to blend in with them. Her mind screamed, wild and scrambled with panic; how safe could she be with the humans that had killed her parents?
Kari’s anger was quickly fading into a deadened feeling, her stomach empty and fluttering with unease.

Mother and Father are… she couldn’t complete the thought. Her body trembled, and every breath took energy she didn’t have. She wanted to slump into the snow and freeze to death.

“Perhaps we’d better leave her, Anne,” the man with the hammer mumbled, gently caressing the woman’s shoulder. “She’s mad. And I’m surprised she’s not bitten by the frost. No matter how long she’s been out here, she should be dead.”

The woman clicked her tongue angrily. “How dare you! Abandon a child out here to this horrid weather? No! Why else would we have come all the way up here, and Billy have given up his life?”

The man with the hurt arm grinned. “At least we got some good furs for it.”

Kari stiffened beside the woman.

No. No, no, no…

“Ah, don’t say that,” the man with the hammer murmured. “Billy was a good man.”

Anne shot them a glare before turning back to Kari. She reached forward and gently laid her fingers on the back of Kari’s hand. Her skin crawled from the touch and her focus slowly returned.

“Your nails are so long,” the woman murmured.

Yes. Long and strong enough to rend flesh, at least. Kari could slice her throat with them.

Yet her mother ordered her to shift so that they would not kill her. Kari must remain alive, if only for the sake of her mother’s last command. She jerked her hand away from the woman.

“My name…Kari,” she croaked.

The man with the limp made a noise of dissent. Anne ignored him. “Kari is your name? You poor thing. Are you alone?”

Kari gritted her teeth.

“Come on, Anne. It’s getting late.”

“Come, Kari. My name’s Anne. We’ll get you home and fed and warmed up. How does that sound?”

Kari allowed the woman to tighten the coat around her body but bared her teeth again when the woman bent to pick her up. Looking concerned yet determined, the woman instead gestured for her to follow.

Kari’s humanoid feet crunched in the snow, the sludgy frost seeping between her toes. The woman looked back at her intermittently, her face soft with compassion. Kari’s jaw tightened so much it ached.

I will kill them, Mother, she whispered in her mind, though the soundless void was enough to make her breath hitch. I will kill them for you and Father.



About the Author: 

Valerie Storm was raised in Tucson, Arizona. Growing up, she fell in love with everything fantasy. When she wasn’t playing video games, she was writing. By age ten, she began to write her own stories as a way to escape reality. When these stories became a full-length series, she considered the path to sharing with other children and children-at-heart looking for a place to call home.








 

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