- What is your “day” job if you are not a full-time author?
I mentor fiction and nonfiction writers privately and for continuing education departments. I also work as a college admissions essay coach.
- If you wrote a book about your life what would the title be?
I actually wrote two memoirs. Out from the Underworld is a coming-of-age tale about my absurdly dysfunctional childhood, and King and The Quirky is a marriage memoir about love and feminism.
- What is the hardest thing about being an author?
Hands down, writing the first draft.
- What is the best thing about being an author?
Touching a reader in some way. Having someone reach out and say, this passage moved me, or I could relate. I especially like when someone tells me I made them laugh.
- Have you ever been star-struck by meeting one of your favorite authors? If so who was it?
When I was going for my MFA, many of the writing professors were famous. I remember sitting in class, after having read their work, and being blown away, thinking is this real? Am I getting to learn from this person? Halfway through the semester, the spell invariably wore off and I got to see the human behind the title. Some were flawed; some were even more spectacular, funny, and generous in person.
- What book changed your life?
I don’t think there is one defining book, as every book has changed my life in a different way. I can say that a number of memoirs and nonfiction tales made me feel that my own stories were worthy of telling: This Boy’s Life, Half a Life, and Such Such Were The Joysare but a few.
- What were some of your favorite books growing up?
I used to obsess over mystery detective fiction by Robert Goldsborough and Agatha Christie. But I also loved romance, adventure tales, and ghost stories.
- What books are currently in your to-be-read pile?
I still like all genres. On deck is How To Tell A Story by The Moth storytelling organization, and Oh William by Elizabeth Strout
- Which do you prefer ebooks, print, or audiobooks?
Print for sure. I love turning the actual pages and holding the book in hand.
- If you could live inside the world of a book or series which world would it be and why?
In current times? I’ll go with The Martian. Besides that it’s an incredible story, the news headlines of this planet are becoming beyond tragic.
Excerpt Quantum Meeting:
Day 787. I sponge Mom’s stringy arms and pronate her elbows. Suction saliva from her white gums, careful not to disturb the psst-psst of the breathing tube. I attach cotton-ball-size muscle-stimulation pads, all forty of them, to her biceps and triceps, her deltoids and extensors, her flexors and hamstrings. As the pads pulse against muscle atrophy, I crayon Chapstick on her lips, rub cream down her pointed nose and waxen cheek skin, brush her dark hair splayed over the starched pillow. I leave the waste bags for the nurses but check the connections out of habit — the tubes to the catheter and colostomy bag, the one to her nutrients. Then I sit, holding her hand, pretending to talk to her for the sake of passersby, even though I know she’s not listening.
Not even in the room.
Her body is an empty vessel. A coat on a hanger waiting for her arms to slip in. A mollusk on the beach, abandoned by its host. An empty carton of milk I’m here to make sure they don’t throw out.
Because when I find her — and bring her back — she will need her container.
They’ve told me it’s dangerous to think this way. Psychologically damaging, Aunt Margaret has claimed. A byproduct of grief, the therapists have said. Denial is a natural defense mechanism, Dr. Horn has counseled. “But we can’t ignore the reality of what the scans tell us.”
He means the X-rays of Mom’s gray folded matter. The regions of her brain that still incite spontaneous reflexes — causing her arm to jerk here, her leg to twitch there. “All seemingly normal manifestations of brainstem function,” he’s told me repeatedly. “But should not be confused with actual brainstem function. Without which she has little chance of waking up.”
I can’t fault him for thinking this way. The guy’s a neurologist — his business is brains.
But I know there has to be more to us than our bodies and brains.
Call it what you want — a consciousness, a soul, a spirit, a light being. It’s the thing countless comatose patients swear gave them the ability to live whole other lives while on respirators. The thing that philosophers and spiritualists spent their lives writing about. The thing that makes us who we are. And maybe even fuels the brainstem.
And Mom’s brainstem went missing two years ago the moment she crashed her car.
An accident, Aunt Margaret had said on the phone. Black ice. A telephone pole. Coming to pick up you up in five. . . .
I flew down the stairs of our apartment and rushed into intensive care, still in my red plaid pajama bottoms, dried toothpaste stuck to my cheek. Mom lay behind a wall of glass, and I heard fragments: Her chest had banged into the steering wheel. Glass shards had lodged in her cheeks. She’s lucky to have made it out alive.
But define “alive.”
For a week, I watched machines automate her breathing, feed her, monitor her. I felt numbed, stunned, dazed. Most of all, empty. Like something in my chest cavity had gone missing, its hollowness threatening to suck my heart and lungs deeper inward.
I thought it was coming from me.
Then one night, following Dr. Horn’s delivery of yet another brain spiel — this one replete with pictures of axon and dendrites that looked like tree branches — they let us through the glass wall.
I plunked into the pink pleather chair and held Mom’s limp hand in mine; ran my thumb over her beige polish, chipped from washing beer glasses at Sharkie’s Bar and Grill. The emptiness opened like a black hole, and I yearned for my best-friend sister-like Mom, just 17 years older than me. The woman who wore my jeans and tried on my life, from basketball tryouts to friendship blips. The woman who let me inhabit her dreams of traveling the world.
“How much tragedy can one family take?” Grandma Eloise was saying. “First, I lose one daughter, and now another?”
“I know, Mom, I know.” Aunt Margaret sniffled.
They were speaking of Grandma Eloise’s oldest daughter, who had died as a teenager — Mom’s oldest sister. And I had sat there, unsure of what to say. Not only because there seemed to be some kind of dark cloud hanging over us, but because they barely noticed I was in the room.
So, when they decided to go to the cafeteria, I said, “I’ll stay here, then.”
Aunt Margaret turned, her yellow, roller-set waves bouncing like in a retro TV commercial. “Jett, I’m sorry. Did you want to come with us?”
“It’s OK. I’m good,” I said, because I knew they were just trying to salve their own pain, even though you couldn’t have paid me a million dollars to eat a bite of food in that moment.
So off they went, leaving me and Mom and my emptiness, and because everything felt so empty, I climbed into bed with Mom, spooned to her side — admittedly feeling sorry for myself in this new orphaned state — and blubbered away into her bony shoulder.
Her respirator lulled me into a sleepy state, and my mind drifted, thinking about her running off as a teenager at 17 — just a year older than me now — to marry a guy outside the enclave of this small town. Then that got me thinking about my dad, the man I barely got to know, but whose hands for some reason I could see peeking out from his electrician’s coveralls: coppery skin freckled like mine with wispy red hair, as he meticulously spliced the wire of a lamp cord. Cut before the damage. Splice by twisting. See his hand twisting a lightbulb in, electricity zipping through its filament. We can travel as fast as this . . . in our sleep. . . . We can meet in Hawaii, where the sand is black, and the rocks are as large as grapefruits.
I must have drifted off then, Mom’s empty container against mine, the respirator wheezing rhythmically, everything hazy and meshing and sucking me under.
Just think of where you want to go, my dad said, still coming to me in snapshots. His freckled hands on a tabletop. Suntanned face. Fiery hair. A woman beside him laid down cards splattered with ink. Palm trees swayed outside, and contentment purred in my chest like a vibration.
Deeper and deeper I drifted under, as darkness surrounded my eyelids and tunneled around me, churning into a black liquid — the way dreams work — until it ended in a circle of purple-blue light large enough to fit through.
I poked my head through and found the air was watery, indigo-colored, and pocked with millions of crystalline white stars. I wanted to climb through the hole and swim out into the starry space. But when I looked up, I saw rectangles hanging in the sky.
They were outlined in what looked like glitter — the kind I recognized from my childhood drawings, when I’d outlined geometric shapes with glue and glitter and blown the excess off. And inside were movielike images:
Palm trees in one.
The stairwell to Mom’s and my old apartment in the other.
Where do you want to go? My father’s voice sounded again, only this time my chest tightened and pulled, as though there was a rope attached to the center, and I suddenly got scared feeling . . . wondering . . . knowing. . . .
This wasn’t a dream.
I was somewhere outside of myself.
Definitely not in my body.
And Mom . . . she wasn’t in bed at the hospital. She was behind that rectangle . . . that door.
I could sense her, alert and awake, black hair not splayed on a pillow, but tucked behind her ears and parted down the middle, revealing a white line of scalp; cheeks not waxen and pale, but flushed from moving around the kitchen . . . pulling me to her.
But because it all felt so real, and because I didn’t know what would happen if I did dive through that hole, I jerked my head back. And the next thing I knew, I was yanked backwards and my whole body stung as though I were a human rubber band snapping back.
Just in time to find Aunt Margaret back from the cafeteria, shaking my shoulders.
“Jett, Jett, wake up,” she called.
“Should I call someone?” Grandma Eloise asked.
My eyes popped open, and they gasped.
“You scared us, you were in such a deep sleep,” Aunt Margaret scolded. “You’re not supposed to be in bed with her.”
“I went to find her,” I tried to explain. “Mom isn’t here. . . .”
“What? Nonsense.” Aunt Margaret said. “You were having a bad dream.”
“Honey, we are all under tremendous stress,” Grandma Eloise said.
“But there are doorways up there,” I insisted. “We have to find her and bring her back. . . Look, there’s no one inside.”
“Honey, we don’t know what you are saying,” Grandma Eloise said.
“Jett, this is hard enough on all of us.” Aunt Margaret’s tone steeled.
My mistake, I’ve come to realize, was continuing to insist, back at Aunt Margaret’s, and for months afterward, describing all I could remember, and lugging home research and stories from the library about people leaving their bodies: about the idea that a person could ostensibly be in two separate places at once.
“That is absolutely enough. I will not have that kind of nonsense talk in my house,” Aunt Margaret snapped finally, and the next thing I knew I was seeing Dr. Karr, a grief counselor, and being asked to review more charts from Dr. Horn. And when a year later, I still wouldn’t relent about the purple hole and the doorway to Mom, and the fact that anyone can tell she is simply not in this room, the grief counselor suggested medications, and eventually whispered to Aunt Margaret terms like “grief delusions” and “detached from reality.” This led me to understand two things:
Not only can I not convince people to open their minds, as a minor in the State of New Jersey, 10 minutes from the state’s largest psych ward, I need to watch it, or I might never find Mom.