1) What inspired you to write books?
Books are and always have been my thing. My lovely lady, Kate, kindred soul, wife and mother of our four adult children inspired me to move into dramatic fiction. She said, “You can write visionary thrillers loaded with archetypal gusto just like you write psychology except these’ll be even more compelling, captivating, riveting! Kate’s my inspiration.
2) What do you love about writing in general?
Words are a psychic narcotic, a real high. When I read good indie writers like Tamara Ferguson, Uvi Poznansky, Luna Saint Claire, Rayna Noire, David P. Permutter, and Lorraine Carey my mind is tuned in and turned on. When I write there’s a sense of being transported to another realm filled with mystery, insight, and age-old wisdom. I love it.
3) What advice can you give aspiring Authors in your genre?
If you feel it do it. Doubts come, fears abound, but inspiration was there from the beginning, so see it through to the end. You felt what you felt, the need to write, so stay true to that feeling and true to your dream.
4) What’s your favorite part of being an author?
Along with setting dramatic narrative and white-hot words to the page, a story building, fulminating and completing itself I love meeting wonderful readers who write and tell me of their impressions and emotions while immersed in the tales I’ve woven.
5) What is the worst part about being an author?
There is no worst part. Writing is about being true to what’s in you to do, and there’s no worst part to that. There’s dark times and light times for sure; but the dark and light are the composites of shading and color and texture that take visual form in the art that is storytelling.
6) What do you do for fun?
I love it when Kate and I hang together, just the two of us, and see movies, go to lunch and dinner, talk long talks, and come home and nestle into each other. That’s a fine, really fine time.
7) How do you find time to write?
I write a little each day. Freud wrote a page a day. That’s a good rule of thumb for me. There’s always time for a page, and one page often leads to another and another and another . . ..
8) What is in your WIP or next book you thought about writing?
After writing The Unholy and Goddess of the Wild Thing I’ve thought about resting; but the resting is in the living and writing that are an everyday experience. The new book The Goddess of Everything is a hottie – there’s a woman who thinks she all that and more to boot - can control, cajole, and bag whomever and whatever her nefarious heart desires. It’s a visionary thriller of mother love gone bad and a son’s desire to break free. There’s twist and turns and an unexpected heroine – The Goddess of Everything!
9) Where do you write?
Right now I’m downstairs on the oak kitchen table. I used to write only in my study. I like varying it up. It keeps the flow going. The study is good, old gothic masters up there whispering in my ear. On the kitchen table is good too. They follow me down the stairs and whisper their words, dark machinations, and eye-popping revelations. I set these to page and they smile.
10) Are you a fulltime author?
I am a full-time depth psychologist, therapist and writer. It all comes together in the consultation room in treating traumatized patients and on the page where trauma and despair meet the potential for hope and transformation in a rip-roaring visionary thriller.
Goddess of the Wild Thing
Paul DeBlassie III
Genre: Horror , Sci Fi and Fantasy
Goddess of the Wild Thing is a dramatic tale of one woman’s spiritual journey where magical happenings, unexpected turns of fate, and unseen forces influence her ability to love and be loved.
Eve Sanchez, a middle-aged woman and scholar of esoteric studies, encounters a seductive but frightening man who introduces her to a supernatural world in which the wicked powers of a surrogate mother’s twisted affection threaten love and life.
In the mystic realms of Aztlan del Sur, Eve and three friends struggle with whether bad love is better than no love and discover that love is a wild thing.
Eve sharpened her focus. She saw the sharp nail of a witch’s right finger tracing Graciéla’s image on a foggy mirror in a grungy bathroom, touching the center of the mirror with a hatred so intense, the glass burned red hot. The mirror in Graciéla’s kitchen cracked. Shards jettisoned at the old healer then were magically warded off and drifted in place about her head and neck.
Graciéla’s energy, tired as she was, had fended off the pointed shards. She hadn’t been impaled. But the strain had ushered her from one world to the next. Death came not by the hand of another but by a weakened mind and body defending itself.
Eve, shaken, allowed her soft touch to stay on Graciéla’s forehead, confirming the horror of what she’d seen. Shamanic wisdom, often discussed between the two kindred souls, spoke to Eve as she stroked her friend’s head, remembering that death provided passage for one whose life had been well spent and whose time had come.
After a few moments, she closed her friend’s green eyes and whispered tenderly, “Always my friend, always love, always together in life and in death.” She stood and wiped the tears from her eyes. A gray-brown, green-eyed, great horned owl hooted from the largest cottonwood branch outside the back window.
Eve heard Shirley finishing her call to the EMTs and police, and then walking to the front of the store to await their arrival.One large shard lay at the end of the table, sharp tip pointed outward. It reflected Eve’s image, a glowing red ember menacingly centered at the brow point
About the Author:
Paul DeBlassie III, Ph.D. is a depth psychologist and award-winning writer living in his native New Mexico. He specializes in treating individuals in emotional and spiritual crisis. His novels, visionary thrillers, delve deep into archetypal realities as they play out dramatically in the lives of everyday people. Memberships include the Author’s Guild, the Depth Psychology Alliance, the International Association for Relational Psychoanalysis and Psychotherapy, and the International Association for Jungian Studies.
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