Interview - For Her Bones by Alec Reid #Horror

- What is your “day” job if you are not a full-time author?

My day job used to be that of a BBC Radio drama and documentary director, and occasional scriptwriter.  I was also responsible for ‘Time for Verse’ and ‘With Great Pleasure’ for Radio 4.  Along the way I produced music programmes of all kinds.  Since leaving the BBC I have been entirely freelance, producing hundreds of audiobooks alongside various writing commissions.

- If you wrote a book about your life what would the title be?

‘Audio Dreaming, Video Nightmares’.

- What is the hardest thing about being an author?

It has parallels with trying to get fit.  At the beginning it seems unbearably hard.  And, of course, while remaining glued to the chair in front of the keyboard eventually tunes up the brain, it does nothing for one’s physical fitness!

- What is the best thing about being an author?

The trick of the brain that releases a three-ring circus from the subconscious.  Having written something is often more pleasurable than the writing process itself.

- Have you ever been star struck by meeting one of your favorite authors? If so who was it?

I think I would be thunderstruck were I to meet Dickens and Shakespeare!  Seriously, I would not have been much use in my profession if I had a tendency to be star struck.

- What book changed your life?

Life changes, whatever.  Reading Dickens in primary school opened up all sorts of possibilities, although I can’t remember which was the first.  I don’t read Dickens now.  I think my mind has become too attuned to more modern cadences.  That said, maybe I will add one to my ‘to be read’ pile.

- What were some of your favorite books growing up?

See above.  Throw in ‘Treasure Island’. ‘The Wind in the Willows’, ‘Just William’.  I would have read the corn flakes packet if there were nothing else in the house. 

- What books are currently in your to be read pile?

Back to Dickens: ‘A Tale of Two Cities’ perhaps.  Dutifully, I will throw in ‘War and Peace’ and ‘Ulysses’.  For the rest, I’m drawn to sharp storytelling, which will probably include the new John Grisham.

- Which do you prefer ebooks, print, or audio books?

I prepare and produce two or three audiobooks a month so would not download one unless it were an audio drama.  Aside from that, I don’t get hung up on the format.  It’s the picture, not the frame.

- If you could live inside the world of a book or series which world would it be and why?

I tend not to think that way.  I confess to a few blind spots and would run a mile from the world of Harry Potter was unable to finish ‘Lord of the Rings’, although my two children did before they were ten. 

For Her Bones

Alec Reid

Genre: Ghost/Comic Horror

Publisher: Lilymoore Publishing

Date of Publication: 31 October 2021

ISBN: 978 – 163972999 -9 

Number of pages: 340

Word Count: 86,975

Cover Artist: Jacqueline Abromeit

Book Description:

Alec Reid’s ghosts of the twenty-first century seldom lurk in old houses or waft across chilly moors.  His dark tales may breathe alongside the supernatural, but they take place in broad daylight, in our daily lives.  

Their themes include dead warriors resurrected via Bluetooth, Rumpelstiltskin in the suburbs, an algorithmic fear of ghosts and the shattered dreams of immortality. 

The world they describe is the same one you inhabit, but you would live in terror were you to recognise it for what it is.  Life would, literally, never be the same again.

Book Trailer: https://youtu.be/SVW3P32AqzU

Lilymore Publishing

Excerpt

“The thing is, Tom, I did call him a few months after I left.  It was a bit of a surprise.  I was supposedly embarking on some great adventure, and there I was struck down with what felt like terminal homesickness.  I needed a friend.”

“You could have called me.”

“I know, but it wasn’t you I wanted.  Sorry.  What I never expected was that I would be longing for Frank.  How strange was that?  Anyway, it was late and the foul weather made me feel even more lonely.  I virtually forced him to come to me that night.”

“Do I really need to hear this?”

“He never made it.  Ice on the motorway.  His mother called me a few days later.”

“Jesus, Sally.  No wonder you’re imagining things.  It’s guilt, that’s all.”

“So that’s it, Mr Freud?  I really am just imagining it?  Going mad”

“I wouldn’t say going mad exactly.  I mean it’s understandable.  You had a terrible shock.  You were missing Frank - can’t understand that bit, but there you are – and you called him to you.  And because of that he died.  It doesn’t make it your fault.  Not really.  I can’t imagine he was the greatest driver in the world.”

“He’s here, Tom.  In this restaurant.  I can feel it.  I can almost see him.”

“The flickering?”

“Yes!  Please tell me you’ve seen it too.”

Poor Tom.  I think he’s about to deny it.  A straight ahead, get the job done sort of guy can’t acknowledge the terrors that shimmer on the edge of his vision.  It has to be Sally who is mad, not he.  The truth is, neither of them is mad.  I would show myself if I could, join them at their table, discuss important matters of life and death.  But it doesn’t work that way.  That would be like believing in ghosts.  Foolish.  But the three of us will soon be able to have that discussion face to face.  I’m looking forward to it.  Come along now, Tom, the second bottle has arrived.  Pour her a drink.

“Jesus Christ!”

General consternation sounds like an incompetent military leader, but it is probably the best description for what was happening around Tom and Sally’s table.  Tom had lifted the bottle and begun to pour.  But he didn’t know his own strength.  Or rather he didn’t know mine.  His grip on the bottle tightened like a noose until the bottle shattered, showering the unhappy couple with Pinot Grigio and sending splinters of glass everywhere.  I’m not exactly a poltergeist, they don’t exist by the way, but I made sure some of the glass went where it needed to.  A freak accident is how it was later described by those who were there and therefore must know.  The first shard sliced through Tom’s shirt and severed the carotid artery.  There was more blood than Pinot.  In less than a minute he was what people call dead, although we know better, don’t we?

Sally’s demise was even swifter.  A shiver of glass pierced her eye and came to rest deep in her brain.

About the Author:

Alec has had a number of careers, some of them still ongoing. After a brief spell with the BBC 2 arts programme, "Late Night Line-Up", he moved on to Radios 1 and 2 where he produced "Night Ride", giving Genesis their first national broadcast.

Alec went on to become an award-winning radio drama director and creator of radio documentaries and features, one of which required him to spend a week with the French Foreign Legion!

During that time, he also wrote and directed two musicals for radio, "Misrule", starring Max Wall, and "Gilgamesh", with Ian Holm; the latter was the BBC's entry for the Prix Futura award in Berlin.

After leaving the BBC,Alec was commissioned to write and produce a double CD tribute to Princess Diana. Within days of its release in America it had sold over 100,000 copies. As a result, he won the prestigious international Audi award for best creative work.

Since then, Alec has produced hundreds of audiobooks, adapted TV and movie soundtracks for audio release, and was even commissioned to write two new 'Thomas the Tank Engine' stories! He also wrote book and lyrics for 'Muscles the Musical', which was premiered at The Landor theatre in London where the 'House Full' sign was up most nights. There are hopes for a revival in a larger theatre.

Alec's publications have included two anthologies based on Radio 4’s ‘With Great Pleasure’, poems in ‘The Sunday Times’ newspaper and numerous magazine articles, and poems. 'For Her Bones' is his first fiction book. He is thinking about his next one.

https://alecreidwriter.com/

https://www.facebook.com/alec.reid.73/

https://www.goodreads.com/author/show/20849030.Alec_Reid